Bio: Alper T. İnce was born in İstanbul, Turkey in 1979. Alper’s works predominantly in the medium of painting, but includes video in his large scale installations. He completed an New Media and Communication Systems with distinction at the İstanbul Bilgi University in İstanbul in 2002. He has had a lot of exhibition such as Destruction 2011, Reality Terror, Ubik Project in İstanbul. Also attended Santorini Bienalle,Greece, Guemgang Nature Art prebienalle in Korea, Silence is a lie in Berlin, Another Athens in Edinburgh , Bright Shadow in London.

He is represented in the collection of the the public and private collections. He lives and work in Istanbul.

Sinopsis: if we reconstruct a new babylon, how will be formed?
ı imagine that it ll be formed by nuclear reactors, factories, communication networks, electronical devices, antennas etc.
is it possible to reach god with new babylon?

Bio: Arezou Zibaei was born 1979 in Tehran , Iran . She studied Graphic in shariati University and Painting in Azad university Art & Architectur, she works with different mediums and materials , such as Painting, Video Art ,Illustration,… she has been more focused on human and social issues. She has participated in International Festivals, Group and solo Exhibitions

BIO: Arnont Nongyao was born in Bangkok, Thailand in 1979. Arnont is a multidisciplinary artist with a focus on film experimental and sound art. His films have been widely screened in festivals show around Asia and Europe. Marked by engagements with experimental and personal avant-garde film, they all, though differently, always of images and frequently also of sound. His first film “ Mr. Weirdo and Anomalous Space ” in (2003) that is the art project performance and experimental film. This film was selected to screening in New York, Thai Takes : contemporary thai film festival and around South East Asia. His film is included in 16th Media Art Biennale WRO 2015: Test Exposure, Poland and International Film Festival Rotterdam 2016, Rotterdam, Netherlands. For Arnont an openness to associations and an appreciation of transformations are key, currently working in a variety of media but not film, Arnont describes himself as an artist rather than as a director.

Synopsis: 

Past, Present, and Future
Illusion of choice
Coincidence, Faith, Belief and Time Life is designed!

Bio: Arpan Thapa is a Nepali actor, director, and scriptwriter. After completing acting studies in Mumbai, Thapa returned to Nepal to start his career in the Nepali Film Industry. His first role was in a Nepali film “Sick City” directed by British filmmaker Murry Kerr, where he got a chance to play the lead role as Krishna. His director’s debut was in 2014 with a feature movie Mukhauta, which was released on 13 June 2014. “The designer” is Thapa’s first attempt to make an inspirational, art house cinema.

Bio:

Mi obra surge como reacción crítica ante la injusticia social. Percibo a la humanidad sometida a un sistema impuesto, cuya única vía de escape es la muerte. Pero esa muerte, que bien puede ser emocional, social, o física, es amortiguada por el romanticismo, la belleza del contexto o por la simbología (en muchos casos religiosa) que disminuye la desolación del hecho en sí y dota de significado a la composición final mostrando sentimientos como el dolor, la culpa o la soledad. Mi vida, mis experiencias y las de mi entorno son la fuente de inspiración. Trato de realizar una denuncia social de todo lo que a mi juicio es objeto a modificar.

Busco una atemporalidad y una falta de localización con el fin de conseguir la generalidad máxima. Para lograr tal fin las ropas son lo más sencillas posibles, al igual que las figuras, no portan elemento decorativo alguno. Los modelos utilizados siempre son los mismos, mi hermana para las figuras femeninas y la mía para las masculinas, incidiendo aún más en las ideas establecidas.

La dureza del tema tratado contrasta con la belleza del resultado. A través de esta belleza capto la atención del espectador, y así logro que se introduzca en este, nuestro mundo.

My work of art arises as a critical reaction faced with social injustice. I perceive that the humanity is submitted to a system which is imposed and whose unique exit is death. But the death, which can be emotional, social or physical comes smoother by the romanticism by the beauty of the context or by the religious symbology. All this reduces the affliction produced by death and gives meaning to the final composition showing feelings as pain, guilt or loneless. My life, my experiences and my close acquaintenance´s ones are the source of my inspiration. I try to report every social thing that I consider it can be improved.

I look for a lack of a defined time and space in order to obtain the most generalisation as possible and so the clothes and the figures are as simple as i can represent them. These figures don´t have any decorative element and their models are always my sister for women and me for men just to insist specially in the ideas.

 The hardness of the topics contrasts with the beauty of the result. Through this beauty  I try to catch spectator’s attention  to introduce them in this world that is, in fact, our world.

Bio:

Mi obra surge como reacción crítica ante la injusticia social. Percibo a la humanidad sometida a un sistema impuesto, cuya única vía de escape es la muerte. Pero esa muerte, que bien puede ser emocional, social, o física, es amortiguada por el romanticismo, la belleza del contexto o por la simbología (en muchos casos religiosa) que disminuye la desolación del hecho en sí y dota de significado a la composición final mostrando sentimientos como el dolor, la culpa o la soledad. Mi vida, mis experiencias y las de mi entorno son la fuente de inspiración. Trato de realizar una denuncia social de todo lo que a mi juicio es objeto a modificar.

Busco una atemporalidad y una falta de localización con el fin de conseguir la generalidad máxima. Para lograr tal fin las ropas son lo más sencillas posibles, al igual que las figuras, no portan elemento decorativo alguno. Los modelos utilizados siempre son los mismos, mi hermana para las figuras femeninas y la mía para las masculinas, incidiendo aún más en las ideas establecidas.

La dureza del tema tratado contrasta con la belleza del resultado. A través de esta belleza capto la atención del espectador, y así logro que se introduzca en este, nuestro mundo.

My work of art arises as a critical reaction faced with social injustice. I perceive that the humanity is submitted to a system which is imposed and whose unique exit is death. But the death, which can be emotional, social or physical comes smoother by the romanticism by the beauty of the context or by the religious symbology. All this reduces the affliction produced by death and gives meaning to the final composition showing feelings as pain, guilt or loneless. My life, my experiences and my close acquaintenance´s ones are the source of my inspiration. I try to report every social thing that I consider it can be improved.

I look for a lack of a defined time and space in order to obtain the most generalisation as possible and so the clothes and the figures are as simple as i can represent them. These figures don´t have any decorative element and their models are always my sister for women and me for men just to insist specially in the ideas.

 The hardness of the topics contrasts with the beauty of the result. Through this beauty  I try to catch spectator’s attention  to introduce them in this world that is, in fact, our world.

Bio:

Mi obra surge como reacción crítica ante la injusticia social. Percibo a la humanidad sometida a un sistema impuesto, cuya única vía de escape es la muerte. Pero esa muerte, que bien puede ser emocional, social, o física, es amortiguada por el romanticismo, la belleza del contexto o por la simbología (en muchos casos religiosa) que disminuye la desolación del hecho en sí y dota de significado a la composición final mostrando sentimientos como el dolor, la culpa o la soledad. Mi vida, mis experiencias y las de mi entorno son la fuente de inspiración. Trato de realizar una denuncia social de todo lo que a mi juicio es objeto a modificar.

Busco una atemporalidad y una falta de localización con el fin de conseguir la generalidad máxima. Para lograr tal fin las ropas son lo más sencillas posibles, al igual que las figuras, no portan elemento decorativo alguno. Los modelos utilizados siempre son los mismos, mi hermana para las figuras femeninas y la mía para las masculinas, incidiendo aún más en las ideas establecidas.

La dureza del tema tratado contrasta con la belleza del resultado. A través de esta belleza capto la atención del espectador, y así logro que se introduzca en este, nuestro mundo.

My work of art arises as a critical reaction faced with social injustice. I perceive that the humanity is submitted to a system which is imposed and whose unique exit is death. But the death, which can be emotional, social or physical comes smoother by the romanticism by the beauty of the context or by the religious symbology. All this reduces the affliction produced by death and gives meaning to the final composition showing feelings as pain, guilt or loneless. My life, my experiences and my close acquaintenance´s ones are the source of my inspiration. I try to report every social thing that I consider it can be improved.

I look for a lack of a defined time and space in order to obtain the most generalisation as possible and so the clothes and the figures are as simple as i can represent them. These figures don´t have any decorative element and their models are always my sister for women and me for men just to insist specially in the ideas.

 The hardness of the topics contrasts with the beauty of the result. Through this beauty  I try to catch spectator’s attention  to introduce them in this world that is, in fact, our world.

Bios: Beate Hecher was born in 1972 in Villach (Austria). She studied sculpture at the Academy of Fine Arts in Vienna. In addition to her artistic activity, she works as a motion and graphic designer. She lives and works in Vienna.
Markus Keim was born in Sterzing (Italy) 1969. He studied history and political science at the University Innsbruck and theater studies at the University of Bologna. From 1999 to 2005 he was an actor in the independent theater group “theatercombinat wien”. He lives and works in Vienna.

Since 2008 Beate Hecher and Markus Keim collaborate on an artistic level. Their joint projects with focus on video, installation and performance were shown in over 40 countries at international festivals and events.

Synopsis: Ice works not only for drinks.

Nonsexual object used in sexual act – as when the egg element is appropriated in Georges Bataille’s Story of the Eye : the egg itself isn’t something erotic, as well as the ice, but can become – as probably everything.

Video divided in 2 parts: one in black & white, 3x speed; another in color, normal speed. Only 2 minutes (contains  1 orgasm) about 25 minutes original, random and deleted (containing 2 or 3 orgasms) video recordings in the same night, always with ice. Done in 1 night.

Try – almost draft – test and “failure” of progressive masturbation video idea, in which was planned to explicit the ice melting, before: solid, and in the end, water – or nothing. Physical-chemical-sexual experiment. The goal was the total melting coinciding with the orgasm, with veiled reference/connection to Story of The Eye’s part where Simone puts raw bull testicles within her intimacy while one horn plungs into the right eye and through the head of bullfighter Granero; the young girl’s spasm coincides with the arena terror. This scene is, coincidentally, in Madrid.

Bio: Psychology student & film enthusiast & writing lover.

Synopsis: A short film about love, despair, human and women nature. 

Bio: César Flores cursa el octavo semestre de la carrera de comunicación y su cortometraje ‘Animal Blood’, ha sido proyectado en tres festivales alrededor del mundo.