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Isabel Pérez del del Pulgar // La reina de la casa

Viernes 11 de Mayo 19:00h
Domingo 20 de Mayo 18:00h

La reina de la casa
España (2017)
6:25

Dentro del imaginario de este proyecto utilizo el corno francés como eje y metáfora de la representación del sistema normativo e impositivo del poder capitalista – patriarcal, para controlar el “statu quo” social. El corno Francés, precedente del cuerno de caza, es un instrumento perteneciente a la familia de viento – metal. La versatilidad de este instrumento radica en que tiene una tesitura muy amplia con pocos pistones, pudiendo generar sonidos suaves, dulces, graves, ásperos y duros. Se utilizó en la guerra y paradojicamente en la caza del zorro. El estado y representación de la mujer, adscrita al espacio privado, a su naturaleza reproductiva, a los cuidados y por ende, alejada y constreñida del espacio público, al espacio activo y decisorio. Tras las consecutivas oleadas feministas son muchos los logros conseguidos, muchos de ellos en estado precario por la versatilidad con la que el sistema se va apropiando de las reivindicaciones opositoras para , sutilmente, atribuírselas como logros propios en nombre de la igualdad, sin perder su hegemonía, dominación y poder.

Una compuesta de muchas; la que en apariencia es, la que cree ser, la que la dejan ser, la que quiere ser, la real y la aparente…dicotomía, distopía / utopía…la identidad femenina entre el caos, la duda, la imposición, la obligación, la culpa, la norma, la regla, la cosificación, el estereotipo, la naturaleza, el artificio, la mentira, el deber, la educación, el sexo, el genero, el arquetipo, el silencio, la violencia, el cuerpo, el miedo, la desigualdad, la esperanza, el sueño, el deseo, la pesadilla, el tiempo….

 

Friday, May, 11. 19:00h
Sunday, May,  20. 18:00h

The Queen of the House
Spain (2017)
6:25

Within the imaginary of this project I use the French horn as the axis and metaphor of the representation of the normative and tax system of capitalist-patriarchal power, to control the social “status quo”. The French horn, precedent of the hunting horn, is an instrument belonging to the wind-metal family. The versatility of this instrument is that it has a very wide tessitura with few pistons, being able to generate soft, sweet, serious, rough and hard sounds. It was used in the war and paradoxically in the hunt of the fox. The state and representation of women, ascribed to the private space, to their reproductive nature, to the care and, therefore, remote and constrained from the public space, to the active and decisive space. After the consecutive feminist waves there have been many achievements, many of them in a precarious state due to the versatility with which the system is appropriating the opposition claims to, subtly, attribute them as their own achievements in the name of equality, without losing its hegemony , domination and power.

One composed of many; the one that apparently is, the one that believes to be, the one that is let being, the one that wants to be, the real and the apparent … dichotomy, dystopia / utopia … the feminine identity between chaos, doubt, imposition , obligation, guilt, norm, rule, reification, stereotype, nature, artifice, lies, duty, education, sex, gender, archetype, silence, violence, body, fear, inequality, hope, dream, desire, nightmare, time ….

 

BIO:

Isabel Pérez del Pulgar was born in Granada and now resides in France. She has a degree in Geography and History, specialization in Art, from the University of Granada. She broadens her education with courses in drawing, painting, engraving at the School of Arts as well as design and digital art. Her artistic career has been evolving from traditional artistic practices to performance and video as means of expression. She has participated in multiple group exhibitions in Museums and Internationa Centers of Contemporary Art. Among her recognitions, in 2017 she was a finalist of the XVI international Videominuto contest. Organized by the Cultural Activities Area of ​​the University of Zaragoza and by CineMaremagnum. Zaragoza (Spain). Finalist CTL contest 59 seconds. Film archive of Navarra. (Spain). 2016 finalist DONA MCINE. 2nd prize / 2nd International Biennial of Video Art and Animation (VEA) Puebla – Mexico. She was also a Prefinalist of DISCOVERY Award – LOOP Barcelona (Spain).  She was a finalist at LUMÍNICO INTERNACIONAL. Mexico. 2014 / Special Prize of the MADATAC Jury 06. She also has a Honorable Mention 1st Biennial of Video Art and Animation, VEA. Puebla (Mexico). 2013 ; Bop Decameronl Prize Contemporary art center Luigi Pecci di Prato. Certaldo, Florence. In 2015 she took part  in the project “La topología des neuf cercles”, which was a creation for the sacred music festival Durance Luberon, with the composer Rey Eisen.

 

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