Synopsis: In Street Twenty-Seven Number Ten Sixteen there is the memory of a bedroom in an apartment on the third floor of a building. There is a reverie of a melancholic love song playing on an airplane, flying towards an island, straddling an ocean and a sea. There is the soft haze of an embargo slowly lifting into the celestial blue.
Bio: Josh Weissbach is an American experimental filmmaker. He lives in a house next to an abandoned village in Moodus, Connecticut with his wife, daughter, and three cats.
His cinematic practice focuses on the relationship between the intimate and the uncanny within domestic spaces. Central to this process is an investigation of the visual agency of the (un)built form and the manner in which it implicates a history of familial trauma. His practice also considers natural spaces that are defined by the vitality of matter and its transfer of force.
His 16mm films and digital videos have been shown worldwide in such venues as Ann Arbor Film Festival, 25 FPS Festival, Berlin International Directors Lounge, Antimatter Underground Film Festival, Festival Internacional del Nuevo Cine Latinoamericano, UnionDocs Center for Documentary Art, Experiments in Cinema, and Cannes Film Festival Short Film Corner. He has won jury prizes at Iowa City International Documentary Film Festival, $100 Film Festival, Onion City Experimental Film and Video Festival, and Haverhill Experimental Film Festival.
He is the recipient of the 2008 Cary Grant Film Award from the Princess Grace Foundation-USA, a 2013 Mary L. Nohl Fellowship for Emerging Artists from the Greater Milwaukee Foundation, and a 2015 LEF Fellowship from the Robert Flaherty Film Seminar.